The Camera Company, Boston, Massachusetts

Major NLE Software Compatibility

Canon's XF Codec is supported by the industry’s leading manufacturers: Adobe, Apple, Avid and Grass Valley. This ensures the widest compatibility with existing infrastructure and non-linear editing (NLE) software.

NLEs	Windows	Mac
Adobe CS5 or later	Yes2	Yes
Apple Final Cut Pro 6.0.3 or later3	-	Yes
Avid Media Composer 4.0.5 or later4	Yes	Yes
Avid NewsCutter 8.0.5 or later4	Yes	Yes
Avid Media Composer 6.0 NewsCutter 10.0 for 64bit OS Available: End of January 2012	Yes	Yes
EDIUS Pro 5.5 or later1	Yes	-

Notes

1. Compatibility will be handled by the software company
2. Need to specify as an MXF file
3. 1. When ingesting clips that were recorded using the following video configurations:
      1. 50Mbps (4:2:2), 1280x720, 30P.
      2. 50Mbps (4:2:2), 1280x720, 25P or
      3. 50Mbps (4:2:2), 1280x720, 24P,
      The clips cannot be used in Final Cut Pro if Native is selected in the ‘Transcode to” (“Target Format”) column. Select instead one of the ProRes422 options.
   2. In the Log and Transfer window, relay clips (clips recorded spanning two or more CF cards) are not handled as one clip but are instead treated and ingested as separate, independent clips.
   3. When ingesting clips with Native selected in the “Transcode to” (“Target Format”) column, a name other than Canon will appear in the Compressor field. However, the clips will be correctly ingested.
4. 1. Clips that were recorded using the 50Mbps (4:2:2), 1280x720, 24P video configuration cannot be used with Avid Media Composer 4.0.5/5.0.0 & NewsCutter 8.0.5/9.0.0
   2. Clips recorded using the 25Mbps (4:2:0), 1440x1080, 30P video configuration will be treated by Avid Media Composer 4.0.5/5.0.0 & NewsCutter 8.0.5/9.0.0 as 60i clips. To edit as a 30P project, please use clips recorded using the 50Mbps (4:2:2), 30P, or 35Mbps (4:2:0), 30P video onfigurations.
   3. When linking MXF files using the Link to AMA File(s) menu option, a name other than Canon may appear in the Video properties. However, the clips will be correctly linked.

Genuine Canon 10x HD Video Lens

Canon's optical expertise is clearly seen in the XF100's Genuine Canon 10x HD Video Lens. It delivers flexibility in image capture with a zoom range of 30.4 – 304mm (35mm equivalent).

Power zoom is available in Constant and Variable settings in 3 modes, Fast (approx. 1.9 – 60 seconds), Normal (approx. 3.0 – 180 seconds) and Slow (approx. 4.0 – 285 seconds). To provide added control, there are 16 predefined steps in Constant mode and rocker switch pressure sensitive or control ring speed management in Variable mode.

For enhanced versatility the XF100 offers a built-in gradation type neutral density (ND) filter (approximately 1/8), as well as an eight blade metal aperture iris.

A customizable manual control ring allows users to assign focus, zoom, or iris. These functions are easily selected through a switch on the lens barrel.

Additionally, a custom dial is available which allows the iris to be controlled.

SuperRange Optical Image Stabilizer

The XF100 also incorporates a SuperRange Optical Image Stabilization system (lens shift) with four modes: Standard, Powered, Dynamic and Off.

Standard:
Lens shift is controlled so that the maximum compensation angle is constant from wide angle through telephoto.

Powered:
Vibration is suppressed at the telephoto end of the range, where shake is most apparent due to high magnification.

Dynamic:
Stabilization changes throughout the zoom range to minimize more pronounced shaking. This is especially useful at wide-angle focal lengths when walking.

Instant AF

When shooting high definition video, sharp focus becomes more critical than ever. Canon's proprietary Instant AF system combines an external AF sensor with Canon's legendary auto focus system for fast and accurate focus. Together, the two sensors reduce focusing time - even in low-light, low contrast, or high brightness situations - and improve focusing performance on difficult subjects.

The XF100 gives you a choice of five AF modes for different shooting applications:

• Instant AF changes focus as rapidly as possible, for those applications in which quick focus is more important than other considerations - for example, in news gathering or documentary work.
• Medium AF changes focus at a speed which is softer and smoother than Instant AF, but faster than would likely be possible manually.
• Normal AF changes focus at a speed that appears natural and doesn't distract the viewer.
• Face AF tracks focus on faces when present. The user selects the face to be tracked. Face AF has the ability to track even if the subject face is in profile. If the chosen tracked face is not present in a shot, the subject in the center of the screen will automatically be brought into focus.
• Face Only AF automatically tracks the chosen tracked face in focus but, should that face leave the scene, will reset focus to manual mode.

Minimum Object Distance

When shooting with the XF100, the minimum focus distance is 20mm (0.78 inches) at Macro and maintains 60cm (1.97 feet) throughout the entire zoom range. This allows excellent versatility in a wide range of shooting situations.

8-Blade Iris

In contrast to a typical 6-blade iris, the XF100's 8-blade iris captures extraordinarily smooth out-of-focus ‘bokeh' for a more attractive image effect. The additional blades also reduce diffraction of light passing through the iris, allowing for the use of smaller apertures while maintaining image quality.

The Digital Teleconverter extends the reach of the optical zoom, and is selectable by 1.5x, 3x and 6x. This feature is ideal when extreme telephoto shooting is needed such as in sports and wildlife, as well as, surveillance applications for law enforcement and the military.

Canon Native 1920 x 1080 CMOS Image Sensor

Newly designed and manufactured exclusively by Canon, the XF100 Professional Camcorder incorporates a native 1/3-inch, 1920 x 1080 CMOS Image Sensor, delivering superb Full HD video recording with minimal noise. The high sensitivity and wide dynamic range of this sensor are what demanding users expect from Canon. Slow and fast motion shooting is supported for greater flexibility in creative choice and its compactness contributes greatly to the small, super handy size of the XF100 and its outstanding usability in the field.

Multiple Recording Bit Rates, Resolutions, and Variable Frame Rates

Multiple recording modes, resolutions and frame rates make the XF100 Professional Camcorder creatively flexible and able to work in virtually any production environment. From the highest quality 50Mbps Full HD to the HDV compatible 25Mbps, users will find the camcorder capable of taking on any job.

Mode	Resolution	Frame Rate
50Mbps (CBR) 4:2:2	1920 x 1080	60i/30p/24p
	1280 x 720	60p/30p/24p
35Mbps (VBR) 4:2:0	1920 x 1080	60i/30p/24p
	1280 x 720	60p/30p/24p
25Mbps (CBR) 4:2:0	1440 x 1080	60i/30p/24p

Variable Frame Rates

The XF100 Professional Camcorder offers a full range of selectable frame rates. You can choose between 60i, 60p, 30p and 24p settings to achieve just the look you want.

• 60p Frame Rate (Available in 720p Mode Only)
  In addition to the standard interlaced frame rate of 60i, the XF100 is able to capture at 60p. 60p is rapidly becoming the standard for fast-action sports.
• 30p Frame Rate
  30p is the ideal frame rate for video viewed on the Internet. It is also an excellent choice for frame grabbing during playback.
• 24p Frame Rate
  24p matches the frame rate of a traditional film camera giving the same cadence and temporal motion needed for a "film look."

Optional 50i/50p/25p Frame Rate Upgrade

For added versatility, the XF100 can be customized to record in both 60i/50i, 60p/50p, and 24p/25p (this optional upgrade must be performed by a Canon Factory Service Center).

Slow Motion & Fast Motion

Slow and Fast Motion Modes allow the XF100 to record a different frame rate than the playback frame rate, resulting in either a fast or slow motion effect during playback. Since the camera is recording real frames and modifying the playback rate, there is no quality loss and maximum image quality is maintained.

In 1080 mode, fast motion is supported up to 2.5x the normal rate and as slow as 1/2.5x. In 720 mode, fast motion is supported up to 5x the normal rate and as slow as 1/1.25x.

Mode	Resolution	Playback Rate	Record Rates
50Mbps	1920 x1080	30p/24p	12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30
	1280 x 720	60p/30p/24p	12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30, 32, 34, 36, 40, 44, 48, 54, 60
35Mbps	1920 x 1080	30p/24p	12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30
	1280 x 720	60p/30p/24p	12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30, 32, 34, 36, 40, 44, 48, 54, 60
25Mbps	1440 x 1080	30p/24p	12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30

Interval Recording

With this feature, users can program the camera to record a specified number of frames at specified intervals. The technique can be used to observe natural phenomena over extended periods, making it ideal for time-lapse applications. The interval can be set in 25 levels ranging from 1 second to 10 minutes.

60i/30p: Selectable between 1, 3, 6 and 9 frames
24p/60p: Selectable between 2, 6 and 12 frames

Frame Recording

This setting allows a specified number of frames to be recorded – ideal for projects such as clay animation.

60i/30p: Selectable between 1, 3, 6 and 9 frames
24p/60p: Selectable between 2, 6 and 12 frames

Canon DIGIC DV III Image Processor

The XF100 Professional Camcorder features Canon's powerful DIGIC DV III Image Processor, which provides enhanced shading, lifelike tonal gradations, new custom picture settings and lower power consumption. DIGIC DV III is also the high-speed engine which powers Genuine Canon Face Detection. On-the-go videographers will appreciate the ability to track one subject in a crowd of people.